welcome to the unexplained
© 1993 moonmusic – m: sasca simnovec | t: groppe
Fantastic sound! We had a lot of problems mixing this song because the bass sounds were so deep and we always had distortion on the master. “Berlin” was inspired by Nine Inch Nails. Respect to Trent Raznor.
© 1993 moonmusic – m: sasca simnovec | t: groppe
Uuuh – something dark with a little help from our friends form the Invisible Limits. Marion sang the female part and Jürgen played the spanish guitar. True dark wave stuff.
© 1993 moonmusic – m: christoph mause | t: christoph mause
Everybody hated the guitar, but Christoph really loved it. The drum samples were stolen from some obscure U2 remixes and nobody knows where U2 have stolen them first.
© 1993 moonmusic – m: christoph mause, sasca simnovec | t: weber
Markus played great drums on this track. The song was inspired by all this Happy Mondays, Carter USM etc. stuff.
© 1993 moonmusic – m: christoph mause, sasca simnovec | t: groppe
Our manifesto. Some of the best moments we had were playing this song live. We normally played 15 to 20 minutes versions and at the end there always was a great chaos and sometimes Christoph destroyed his guitar. Great.
© 1993 moonmusic – m/t: lennox / stewart
Everybody loved this song and everybody loved Annie Lennox.
© 1993 moonmusic – m: christoph mause, sasca simnovec | t: christoph mause
Listen to the first version of this song as released on “Unexplained!”. This one is the version after Markus Giltjes was finished with the song. Bastard. The song is 20 minutes long because at the end there is an obscure version of “Unheeded” where you can here Sascas father saying (in German) “Jetzt gebe ich Mama”. A great moment.
© 1993 moonmusic – m: christoph mause | t: groppe
A great opener and a great drum riff. Played by Markus Giltjes with some support by Faith No More.
© 1993 moonmusic – m: christoph mause, sasca simnovec | t: groppe
We really loved to play this song live – great stuff.
© 1993 moonmusic – m: christoph mause, sasca simnovec | t: groppe
“Unheeded” was the opener for our live shows. We had a 10 minutes soundscape intro and then Christoph started with some 5 minutes more feedback. Originally inspired by German band Rausch.