Mother


© 2003 moonmusic –
m: christoph mause | t: christoph mause

When Heri from Soundfactory first listended to this song he really didn’t like it because he thought that it sounded too much like the old Pink Turns Blue. We thought that this was really the reason why we’d recorded the song.

One Love


© 2003 moonmusic –
m: christoph mause | t: christoph mause

“One Love” was very much inspired by U2’s”Numb”. Christoph recorded it first with an old Roland drum machine and a small Casio keyboard. This version was recorded for our third (unreleased) album.

Don’t Talk To Me


© 2003 moonmusic –
m: christoph mause | t: christoph mause

When we selected songs from old tapes and demos for the “Unexplained!” album in 2003 we recorded this one in two or three hours.

One Love (Sweet Little Sixteen Virgin Mix)


© 2003 moonmusic –
m: christoph mause | t: christoph mause

A remix version of one end. Back in these days Sasca and Christoph always produced several mixes of each song and because they both really liked a lot of dance and electronic stuff they always experimented with drum computers, sequencers etc.

Man In The Dark – Hardface


© 2003 moonmusic –
m: christoph mause | t: groppe

This is the original mix of “Man in the dark” as recorded and mixed at Tjemara Sewoe, Netherlands. The version which was released on the “Explain!” album was re-recorded later in Studio 54.

Trust – Original Version


© 2003 moonmusic –
m: christoph mause, sasca simnovec | t: christoph mause

This too is an original version. Markus Giltjes remixed this one in a very consequent way because he thought that this version is far too smooth and poppy.

To Drown A Rose


© 2003 moonmusic –
m: groppe, dr. gicker | t: groppe

This one goes back to 1990 and is the first Moon recording. The basic tracks were recorded in Christoph’s flat in a squat in Bochum using some old tape recorders. This recording was produced in Studio 54.

Let Me Die – Acoustic Version


© 2003 moonmusic –
m: sasca simnovec | t: groppe

When we were working in the Studio 54 they had this wonderful old Steinway piano and it was stored in tiled room which was used as a reverb room in the former days. We really loved the slightly out-of-tune sound and the hard reverb of the room. Nice recording – even a little bit strange.